CITIES SO NICE
Everything about Zach's project fits with the principles of decentralization that Scott explores on his blog. Insofar as we are concerned about the health and integrity of "American Theatre," we must explore our own nation. I don't see this as a mere corrective to the self-defeating NY-centric model that currently dominates. And I'm not just gushing because it happens to involve my boyhood home -- Zach chronicles a tour through the country that leaves open the possibility for similar developments in Indianapolis, Pittsburgh, Omaha, and Missoula.
I haven't read his entire blog yet (it's as much a drinking tour of the heartland as a cultural survey), but here's what I admire most about the whole enterprise. We compare theatre to religion. We compare it to music. We compare it to a gallery. A gymnasium. A hospital. I believe that the raw ingredients of theatre are time, space, and people. Any project that takes the time to enter new spaces and connect with different people is good for theatre. So while we theatre folk often feel a kindred calling with priests, musicians, painters, athletes and doctors ... it must be said that we are also, at heart, a brotherhood of explorers.